Our Mothers, Ourselves: The Outsourcing of Self-Care and Gender-Bending of Genre in Tully

Our Mothers, Ourselves: The Outsourcing of Self-Care and Gender-Bending of Genre in Tully

By Rebecca Alter

“One Person’s Blackmail is Another Person’s Love Story”: Violation of Boundaries as On-Screen Romance

“One Person’s Blackmail is Another Person’s Love Story”: Violation of Boundaries as On-Screen Romance

By Natalie Moore

Bloodshed in Suburbia

Bloodshed in Suburbia

By Sophia Larigakis

Boundaries of the Image: Mediated Violence in You Were Never Really Here

Boundaries of the Image: Mediated Violence in You Were Never Really Here

By Katie Elder

The Edge of Faith: Negotiating the Boundaries of Religious Identity in Paweł Pawlikowski’s Ida

The Edge of Faith: Negotiating the Boundaries of Religious Identity in Paweł Pawlikowski’s Ida

By Taryn Fleischmann

Recalling the Past: The Dynamics of Empathy in Waltz with Bashir

Recalling the Past: The Dynamics of Empathy in Waltz with Bashir

By Genevieve Citron

The Arbitrary Nature of What Defines a Career Ending Scandal, Feat. Roseanne Barr

The Arbitrary Nature of What Defines a Career Ending Scandal, Feat. Roseanne Barr

By Sam Doll

“TIME’S UP”: 30 Years of Equity? A Reflection on Inclusivity in the Film Industry

“TIME’S UP”: 30 Years of Equity? A Reflection on Inclusivity in the Film Industry

By Jeff Melvin

Talking Canadian Film and Hello Destroyer with Director Kevan Funk

Talking Canadian Film and Hello Destroyer with Director Kevan Funk

By The Film Atlas Staff

Our Mothers, Ourselves: The Outsourcing of Self-Care and Gender-Bending of Genre in Tully

“One Person’s Blackmail is Another Person’s Love Story”: Violation of Boundaries as On-Screen Romance

Bloodshed in Suburbia

Boundaries of the Image: Mediated Violence in You Were Never Really Here

The Edge of Faith: Negotiating the Boundaries of Religious Identity in Paweł Pawlikowski’s Ida

Recalling the Past: The Dynamics of Empathy in Waltz with Bashir

The Arbitrary Nature of What Defines a Career Ending Scandal, Feat. Roseanne Barr

“TIME’S UP”: 30 Years of Equity? A Reflection on Inclusivity in the Film Industry

Talking Canadian Film and Hello Destroyer with Director Kevan Funk

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Talking Canadian Film and Hello Destroyer with Director Kevan Funk

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